16 November 2015

Elements and Principles of Design

(reprinted from Susan Feller's blog, artwools.com)


The Elements and Principles of Design can be considered building blocks for composition. Elements are basic words to understand and then combine to achieve a Principle or make a story.
Elements and Principles of Design ExcerptDesign Basics for Rug Hookers by Susan L. Feller,     Stackpole Books 2011 Click title to purchase.

Elements: Line, Shape, Form, Space, Value, Color, Texture

Line is a joining of points. Thickness, direction and length are variables..
Shapes are created by joining lines. They are 2-Dimensional: height and width.
Form is any 3-Dimensional object. Form can be measured, from top to bottom (height), side to side (width), and from back to front (depth). Form is also defined by light and dark. A source of light on the object will convey form with the shadow or highlight associated by the exposure of light on the motif.
Space is the area provided for a particular purpose. It may have two dimensions (length and width), such as a floor, or it may have three dimensions (length, width, and height). Space includes the background, fore and middle ground.
Value refers to the relationship between light and dark on a surface or object and also helps create form. A value scale in fabric has 1 assigned to the lightest piece. Using a range of value in a work evokes a mood: middle values feel like a gray, rainy day; light values are cheery; and a dark work is somber.
Color is a combination of light rays reflected from a surface. In order to see color a light source is necessary. Notice the lessening of discernable color when a light is dimmed and then turned off. Color has three characteristics: hue, value and intensity.
Texture is the quality of a surface. In visual art, there are two types of texture: tactile and implied. In textile art there is texture in the materials used such as checks, plaids and tweeds.

Principles: Contrast, Emphasis, Rhythm, Movement, Pattern, Balance, Unity

Contrast is a design principle which provides visual interest. This can be accomplished using changes in scale, color, value, shapes.
Emphasis refers to areas of interest that guide the eye into and out of the image through the use of sequence, various levels of focal points, a change of value or intensity of color.
Rhythm as a principle is used to organize a composition and create interest, unity or emphasis. Visual rhythm is achieved by the same effort- repeating a shape, color or line in a regular pattern.
Movement can be achieved with a consistent directional line, or group of lines or by arranging shapes along an imaginary line.
Pattern is defined as a single unit of design used in repetition.
Balance – The eye perceives weights being equal and balanced when they have the same value, or intensity of color creating harmony. A design with equal shapes on either side of the imaginary dividing center line has symmetrical balance and is boring. Changing a motif or color on one side puts interest into the work.
Unity refers to a sense that everything in a piece of work belongs there. It is achieved by the use of balance, repetition and/or design harmony.

In order to have a successful design three parts must work together:
Materials, Techniques, and Composition


27 September 2015

20 September 2015

A Room with a View

We all enjoyed meeting at Craft Central yesterday afternoon... the sun shone so the windows were open and we carried on rug hooking....




Join us if you wish - details on this blog...

Jill

21 April 2015

Jan's first attempt at rug-hooking.....


The above rug was a first attempt at Rug Hooking by my friend Jan... so proud of her. She made the rug from old woollen coats - it is very heavy and will now live in an old stone cottage on its slate floor....

20 March 2015

"Girl with Poppy Fascinator"

Another face worked on at the January workshop, "Girl with Poppy Fascinator" by Ruth Robinson, who writes:

"Girl with Poppy Fascinator" came from a collage done at Diane Cox and Sue Dove’s Artful Rugs workshop
in Penzance last year and started out as a large rag rug on hessian. After the workshop, finding the scale too large, I started again on a much smaller version, working with a punch needle.

We spent a whole day in Sue’s studio playing with glue and coloured paper pieces torn from magazines,
initially making abstract collages (a new experience for most of us and very liberating!), before working on another collage each which would be the inspiration for the rag rugs we would be working on during the workshop and, as it turned out, for many months after!

18 March 2015

"Barefoot Noble" by Jeroo Roy

 "In war ravaged Rawanda," reads the label on the back, "a young injured boy, clothed in tatters, wanted to appear dignified. Wearing shoes meant dignity to him - so he painted shoes on his bare feet - to keep his dignity."
From the series "Children under Siege".

17 March 2015

First finished face

At the January meeting we made up for the tutor having to cancel by continuing with the topic for the workshop, portraits. It was hardly a race, but first to finish was a visitor from Germany, Karin, who sent these photos soon after she returned home -

When she showed her daughter and son-in-law the finished rug, they thought the expression so grim that she must have been in a really bad mood when she hooked it – so the second photo shows where she gave the mouth a bit of a smile -

10 March 2015

My first hooked rugs....


 
Today was bright and sunny, my friend Jan called round to
talk about a rug she hopes to make for her daughter's new cottage.. I showed her the many rugs I had made over the past few years and she went home with lots of Rug books and a Heather Richie DVD. She was so happy and it was good for me to share my work with her.
Above  you can see the very first rugs I made.... I like to think I've improved the technique since I made these... Jill

18 January 2015

A workshop on "faces"








The tutor had to cancel because of illness, but we carried on anyway!

4 December 2014

Cats' paws

Looking for hooking inspiration, I came across this on Gene Shepherd's blog, where you can see how to get the loops to behave. What a great way to use up scraps - perfect for all the bits of wool I've collected from the Craft Central scrap boxes.

It doesn't remind me of cats' paws at all, though - more like "starry sky" - you'll surely recognise the famous picture this comes from -

20 October 2014

Lucille's rugs

Designed and hooked by Lucille Kumar

Designed and hooked by Lucille Kumar

Designed and hooked by Lucille Kumar

15 October 2014

Foxy hooking

Nightime Garden Fox by Dulcy Stewart. See more of her creations here.

11 September 2014

Hooked rugs by Emily Carr

Emily Carr (1871-1942) was a Canadian artist who studied in England for a while. She painted on the west coast of Canada - landscape, especially the forests, and Indian villages and totems - and her individual style was rediscovered in the late 1920s. She called herself "the little old lady on the edge of nowhere".

After a not very successful exhibition in Victoria in 1913 she needed to earn extra money, so she raised and sold sheep dogs, hooked rugs, and created pottery based on First Nations designs.
"Eagle Rug" is available as a kit

I've written more about Carr here, and Vancouver Art Gallery's website has good biographical information. There will be an exhibition of her paintings at Dulwich Picture Gallery, south London, later this year. 

10 July 2014

A modern hooker

"Leslie Giuliani hooks rugs with a contemporary folk feel" says the blurb for the article in Hand/Eye magazine. See all the photos and read the article at http://handeyemagazine.com/content/modern-hooker, or check her website - www.lesliegiuliani.com.

18 April 2014

An artist's rug


"Peacock" was designed by Winifred Nicholson  and hooked in 1970 by Florence Williams; it measures 34"x54", and the slightly bent shape is because it's photographed from a book, "Rag Rug Creations" by Lynne Stein. The caption says the rug was inspired by a mosaic in Ravenna of the same theme, colour, and composition . The flowers especially don't look as though they're from a mosaic ... they seem very much in Winifred Nicholson's painting style -



4 April 2014

12 ways to recycle fabric into rugs

"Archipelago" is done in cross stitch, using t-shirt fabric
Re Rag Rug is an experimental design project that explores the social and environmental sustainability of the rug. The project started in August 2012 by Katarina Brieditis and Katarina Evans. In 12 months, they created 12 unique rugs using 12 different textile techniques. Their materials were old clothing and scraps from the textile industry — fabric that otherwise would have been discarded.
They used different types of rags in combination with a variety of textile techniques: sewing, crocheting, knitting, macramé, rolling, cutting, appliqué, embroidery, structure and relief effects, three dimensionality, color and dyeing techniques - and they also experimented with scales. This resulted in 12 new types and expressions of rugs.
"Aquarelle" uses old woolen sweaters and running stitch, rather like kantha technique
"Many of the rugs were made with craft techniques that didn’t require large spaces or machines and could therefore be manufactured as cottage industry in textile producing countries," they say. "Via this mode of production, using waste is environmentally sustainable while socially sustainable. At the same time, the production becomes a platform for developing crafts and creates jobs."
(info from handeyemagazine.com/content/re-rag-rug, photos from reragrug.blogspot.se, where you can see all the rugs ... none of which is hooked!)
Seen at "Creative Stitches" show (Excel centre, London, 3-5 April) - gun-tufted rugs by Ingrid Wagner -

 Ingrid had a big stand, with examples of knitty and crochet ways to make her huge balls of fabric strips into rugs ... and huge needles to make them with -

1 April 2014

Hooked Jewellery


I've not done much rug hooking lately as I've been busy studying for an Art History degree...however I just found these two remaining Necklets which were exhibited at The Knitting and Stitching Show awhile back ..I made them using a rug hooking technique! 

It is such a beautiful day I took this photo whilst out in my garden a few minutes ago....Happy April Everyone....Jill

www.jilltextileart.com

5 March 2014

An arty hooked rug

Designed by Ben Nicholson, "Slinky" was hooked by Joan Bravington about 1933. It measures 45" (115cm) square.

In a letter dated Sept 1 that "refers to the wool rug 'slinky ' that Joan Bravington made from a design by Ben Nicholson circa 1933 (lot 167 [of a sale at Christies in 2001] )", Nicholson writes -

"Dear Joan/Thanks for the blue/pattern. Don't know without seeing/the design & all the colours together I/can not tell. I am not coming back/for another week - why not take/them altogether along to Barbara/& shown them to her? if y ou're in any /hurry or if not I shall be back/about the 11th -/About the cost of material - I've/written EQ to ask if she'd work out/the length of time it's taken to work/her .. against the price to be asked/& cost of the materials./I've got several rugs being/made I don't want to fork out a pound/on materials for each. But we must/work it out so that it's fair to/the worker & the designer. I think/if I have to find a pound on each rug/it would pay me much better to/sell the designs outright(that's what/I've done in one case). It means I get/4 pounds or 5 pounds down instead of paying/out a pound & getting 5 pounds or 6 pounds eventually -/But EQ having worked her rug ought/to be able to tell fairly exactly what/proportion the weaver needs of her time./This place has a rather/dinky little port./I hope the new house is/getting on/from Ben"
"Ben and Slinky" by Winifred Nicholson, 1927 (via)
Slinky was the name of the dog Ben and Winifred Nicholson had in Cumbria. The rug is signed on the reverse - and sold in 2001 for £1,410. It was exhibited in a show at Pallant House, Chichester, in 1994 entitled "Artists and rugmakers" ... wonder what else was in that show?

The rug is part of the "Artist Textiles: Picasso to Warhol" show at the Fashion and Textile Museum, Bermondsey, London, till 17 May. The show includes about 200 pieces, and this is the only hooked one. I was surprised to see anything hooked at all.

14 February 2014

"Changing"

"Changing", size 14" x 20", is by new member Jeroo Roy. She started and finished it between meetings!

She says, "I am an artist and my medium has always been paint brushes and papers and canvas. But due to eye problem, further enhanced by effects of 'Stop Smoking' pills, I had not touched a paint brush for more then a year. But last September when I was in Canada, my friend Helen Dyer who now lives in New Brunswick, took me to Deanne Fitzpatrick’s shop in Nova Scotia and it was there it occurred to me and I can paint pictures through rug hooking."

Her website is www.jerooroy.com.